Designers
December 28th, 2007 KiirelThere’s a difference between someone who designs lighting, and a *lighting designer* (besides the stars…). The former is the sort of person who is told, “well, why don’t we rent what we tried to rent last year… 5 moving lights and a board.” He might have thought enough about it to suggest getting two different types of moving lights; 2 of one and 3 of the other.
The LD, on the other hand, takes into account past experience, and reads the script before putting in the rental order. Then, he makes suggestions to better use the budget.
Which one do you think I am ;p? I was going to just take the first plan of 2 wash lights and 3 profile lights (the kind we had at Les Mis), but then I watched the movie (stop booing… its not like I went and saw the play!) and read some of the script and realized what a waste it would be to spend $250 to get an un-even number of moving lights. That $250 for a single profile light (for 2 weeks) could be used to get so much more equipment.
Now for those who don’t know (or have forgotten), Bradley Hall has 22 dimmers, and a fair few more lights than can actually be used on those dimmers (not a huge number, but enough). Looking at the ALPS rental card, one can see that a pack of 4 dimmers run off of a single Edison wall plug runs $20 a week. And renting individual lights is generally a matter of $3-$10 a week… the Par 64s I was looking at (the things you see in huge numbers at any concert) are $6/week. So think about this, for $250 I could have another moving light which is, admittedly, more powerful than a single light; OR, I could get 6 Par 64s, 4 packs of dimmers (which means space for 10 more lights after figuring in the Pars), and a fair amount of cable and adapters to boot…. all for that same $250.
Now I ask you, which one looks like the better deal? I’m still waiting to hear back from Marty about the idea, but I’m guessing he’ll approve (and if he doesn’t, well I can work either way, and its not like its my money or my show).
On another note, there’s another interesting story in the rental. He had me price out the 5 lights + the board we always rent. Now, this board is *ok*, but its a real pain to program moving lights on it. The problem is that a moving light controller is generally too expensive to rent. The irony here is that after I priced out the 6 pieces (each $125/week), he said that it was out of budget and that we’d have to move back to 4 units and the board. But wait, I had an ace up my sleeve. You see, those who are members of LNL at WPI can rent and borrow equipment, and we just happen to have a moving light controller. And what’s that? Dreamgirls goes up AFTER then end of the WPI school year? So I sent off an email to a friend of mine, who also happens to be in charge of rentals for the club (until elections in the upcoming term at least), and he quoted me a rough price of $40/week (subject to change with a new vice-president, but should be close to that). Let me say that again… we get a superior board for $40/week in place of the inferior board for $125. That was decided to be ‘in budget’ ;p.
To put this in even more perspective, this board is called a Hog 500. The higher up model is the Hog 1000, which ALPS rents for $450/week….. FOUR HUNDRED AND FIFTY DOLLARS PER WEEK, and we get the next model down for $40…. Good deal, yes? ;p
So hopefully everything will work out ok (knock-on-wood), but it should be a fun show. Lets just hope the actors can pull it off (don’t I say that every year? And what is the outcome every year? Oh well….).
Gee, I guess that got a bit longer than I’ve been writing usually. Hopefully I didn’t bore people to tears.
-K